ChaseBethea.com

Aground Deluxe OST receives 2021 NYX Game Award!

Posted on May 15, 2021 by Chase Bethea

Today the industry gave me my flowers! I am elated to present Aground Deluxe OST has won an award in the ORIGINAL SOUNDTRACK category!

RECLAIM EARTH SOUNDTRACK AVAILABLE NOW!

Posted on April 22, 2021 by Chase Bethea

Born of the LowRez game jam and developed by three-person team Ansity Games, Reclaim Earth sees players attempt to avenge a devastatingly successful alien invasion.

Posted in News | Tagged adaptive music, adaptive music composer, chase bethea, chase bethea composer, chase bethea indie game composer, chase bethea video game composer, Duke Nukem, Duke Nukem 3, game audio, game audio composer, game audio professional, game development, game music, gaming industry, gaming news, indie game dev, indie game developement, indie games, interactive music, interactive music composer, Laura Onderwater, Laura Onderwater (Concept Artist), music composer, Quake, reclaim earth, reclaim earth ost, reclaim earth soundtrack, Turok, vgm, video game composer, video game industry, video game music, video game soundtrack | Leave a comment

Guest Speaker Announcement! Berklee Career Jam 2021 with Panelist Chase Bethea

Posted on March 30, 2021 by Chase Bethea

I was asked by Berklee College of Music to be one of the panelist for their illustrious Career Jam. I will be on the panel titled, “Adventures in Music for Video Games“.

Posted in News | Tagged Adam Burgess (Blizzard Entertainment, adaptive music, adaptive music composer, Adventures if Music in Video Games, Arena Net, Associate Producer, Audio Director, Berklee, Berklee College of Music, chase bethea, chase bethea composer, chase bethea indie game composer, chase bethea video game composer, Film Scoring; Composer and Sound Designer), game audio, game audio composer, game audio professional, game development, game music, gaming industry, gaming news, Gina Zdanowicz (Berklee College of Music, indie game dev, indie game developement, indie games, interactive music, interactive music composer, Matteo Stronati (Riot Games, music composer, SungHa Hong, vgm, video game composer, video game industry, video game music, video game soundtrack, Yoko Shimomura | Leave a comment

NEW GAME! Bushido Bots with Adaptive Music made in ELIAS!

Posted on March 15, 2021 by Chase Bethea

Waking Oni has brought me on to score the rhythmic fighting game, “Bushido Bots”! I am thrilled to be on the team and can not wait to bring more adaptive music experiences. This game is being developed during the Playcrafting Anywhere Jam and sponsored by Google Stadia.

Posted in News | Tagged adaptive music, adaptive music composer, Anywhere Jam, Assault Suits Valken 2, Bushido Blade, Bushido Bots, Bushido Bots OST, chase bethea, chase bethea composer, chase bethea indie game composer, chase bethea video game composer, Derrick Fields, ELIAS audio middle-ware, ELIAS middle-ware, ELIAS software, game audio, game audio composer, game audio professional, game development, game music, gaming industry, gaming news, Google Stadia, Gundam Battle Assault 1, Gundam Battle Assault 2, indie game dev, indie game developement, indie games, interactive music, interactive music composer, Martin Barreby, Mega Man Legends, Mega Man Legends 2, music composer, Onsen Master, PlayCrafting, PlayCrafting Anywhere Jam, playstation, retro game collection, rhythmic fighting game, StarCrossed, Techtonic Showdown, The MisAdventures of Tron Bonne, vgm, video game composer, video game industry, video game music, video game soundtrack, Waking Oni, Xenogears | Leave a comment

Speaker Announcement! A Structured Process for Planning Game Audio in Production

Posted on March 2, 2021 by Chase Bethea

I am pleased to be confirmed to guest speak at Indie Game Business. I’ve known about them for two years and I attended one conference of theirs. I appreciate the content they put out and it’s been a milestone goal to be either on the podcast or guest speak at one of the events. Read More

Posted in News | Tagged adaptive music, adaptive music composer, Akash Thakkar, Alanna Linayre, Alanna Linayre (Founder/ Creative Director), Anya Combs, Anya Combs (Director of Games at Kickstarter), chase bethea, chase bethea composer, chase bethea indie game composer, chase bethea video game composer, Chel Wong, Chel Wong (Freelance Composer), Director, game audio, game audio composer, game audio professional, game development, game music, gaming industry, gaming news, Glen Henry, Glen Henry (Founder / Project Director of Spritewrench Studios), igda, Indie Game Business, Indie Game Business Water Edition 2021 Conference, indie game dev, indie game developement, indie games, Innersloth, interactive music, interactive music composer, Jonathan Jennings, Jonathan Jennings (Weird Kid Studios), Kickstarter, Laura Onderwater, Laura Onderwater (Concept Artist), music composer, Nika Nour, Nika Nour (Executive Director at IGDA), Spritewrench Studios, Strange Scaffold, Toadhouse Games, vgm, Victoria Tran, Victoria Tran (Community Director at Innersloth) and Akash Thakkar (Sound Designer), video game composer, video game industry, video game music, video game soundtrack, Weird Kid Studios, Xalavier Nelson Jr., Xalavier Nelson Jr. (Narrative Writer/Designer at Strange Scaffold) | 1 Comment

NEW GAME MUSIC! “Survival Hunt” Recorded by The Budapest Scoring Orchestra

Posted on February 23, 2021 by Chase Bethea

New Game Music! “Survival Hunt” composed arranged and orchestrated by Chase Bethea. I wrote this piece of music when I was hired to score a Third- Person Shooter game where the indie game studio was heavily inspired by Metal Gear Solid 2, 4 and 5.

Posted in News | Tagged adaptive music, adaptive music composer, chase bethea, chase bethea composer, chase bethea indie game composer, chase bethea video game composer, dynamedion, game audio, game audio composer, game audio professional, game design, game development, game music, gaming industry, gaming news, indie game dev, indie game developement, indie games, interactive music, interactive music composer, live musicians, live orchestra, metal gear, metal gear solid, music composer, orchestra, orchestra hybrid, stealth games, stealth music, survival games, survival hunt, tactics game, the budapest orchestra, the budapest scoring orchestra, vgm, video game composer, video game industry, video game music, video game soundtrack, Will Roget, Will Roget II, x144 | Leave a comment

IGDA Highlights Chase Bethea for Black History Month

Posted on February 21, 2021 by Chase Bethea

I am most thankful to be highlighted recently by IGDA for Black History Month. It’s certainly a honor.

Posted in News | Tagged adaptive music, adaptive music composer, chase bethea, chase bethea composer, chase bethea indie game composer, chase bethea video game composer, game audio, game audio composer, game audio professional, game development, game music, gaming industry, gaming news, igda, indie game dev, indie game developement, indie games, interactive music, interactive music composer, International Game Developers Association, music composer, Renee Gittins, vgm, video game composer, video game industry, video game music, video game soundtrack | Leave a comment

Sony Music Soundtracks Mentions Chase Bethea

Posted on February 21, 2021 by Chase Bethea

It’s Black History Month and many highlights are happening all around. However, I got mentioned and selected by a curated playlist from Sony Music Soundtracks !

Posted in News | Tagged adaptive music, adaptive music composer, chase bethea, chase bethea composer, chase bethea indie game composer, chase bethea video game composer, game audio, game audio composer, game audio professional, game development, game music, gaming industry, gaming news, indie game dev, indie game developement, indie games, interactive music, interactive music composer, Jon Batiste, Joshua Moseley, Julian Montgomery, Kris Bowers, Kurt Farquhar, Marcus Miller, Michael Abels, music composer, Quincy Jones, sony, sony music soundtracks, Terence Blanchard, vgm, video game composer, video game industry, video game music, video game soundtrack, Will Roget | Leave a comment

The Los Angeles Film School Presents – Barrier Breakers: Alumni Edition with Chase Bethea

Posted on February 17, 2021 by Chase Bethea

I am immensely excited to be invited back by my first Alma mater, The Los Angeles Film/Recording School. Michael Muncatchy will be interviewing me again to discuss my highly ambitious goal of scoring 12 video games in 12 months. Ambitious?

Posted in News | Tagged adaptive music, adaptive music composer, alumni spotlight, Barrier Breakers, chase bethea, chase bethea composer, chase bethea indie game composer, chase bethea video game composer, Full Sail, game audio, game audio composer, game audio professional, game development, game music, gaming industry, gaming news, indie game dev, indie game developement, indie games, interactive music, interactive music composer, LAFS, LARS, music composer, The Los Angeles Film School, The Los Angeles Recording School, vgm, video game composer, video game industry, video game music, video game soundtrack | Leave a comment

EPOS Presents Welcome to The Power of Audio in Gaming with panelist Chase Bethea

Posted on January 18, 2021 by Chase Bethea

Career Announcement! I will be one of the panelist for this event! It’s quite the honor to be speaking about some heavy topics in game development and futuristic predictions about game audio. In addition, to how it drives development of audio equipment. Always thinking of the player!

Posted in News | Tagged adaptive music, adaptive music composer, Andreas Jessen, Audio Director, Bjørn Jacobsen, chase bethea, chase bethea composer, chase bethea indie game composer, chase bethea video game composer, Cujo Sound, David Guldager, epos, eSports, game audio, game audio composer, game audio professional, game development, game music, gamedev, gaming industry, gaming news, indie game dev, indie game developement, indie games, interactive music, interactive music composer, Martin Kvale, Matteo Stronati, music composer, NokNokAudio, online events, Riot Games, Senior Director Product Development, sound designer, tech journalist, the power audio in gaming, vgm, video game industry, video game music, video game soundtrack, videogamecomposer | Leave a comment