I’m baaaaack! Pixelated Audio is hosting their annual panel at MAGWest and has asked me to be on their LIVE show/podcast as a returning guest! We will be talking about my recent VGM works and playing a live dynamic/interactive music demo.
Tag Archives: video game industry
Another feature on Interlochen Public Radio – GAMEPLAY Show : Spooky!
It’s nice surprise to have a feature on Interlochen Public Radio again.
Tune in tonight’s Halloween 2021 Themed show GAMEPLAY: Spooky to hear some pieces from the “I Can’t Escape: Darkness” OST.
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Tagged adaptive music, adaptive music composer, Akira Yamaoka, Ayako Mori, chase bethea, chase bethea composer, chase bethea indie game composer, chase bethea video game composer, Dark Souls, game audio, game audio composer, game audio professional, game development, game music, gameaudio, gamedev, gamemusic, GAMEPLAY show, gaming industry, gaming news, Halloween 2021, i can't escape: darkness, indie game dev, indie game developement, indie games, interactive music, interactive music composer, interlochen public radio, Luigi's Mansion, music composer, Resident Evil 2, Silent Hill, Silent Hill 2, vgm, video game composer, video game industry, video game music, video game soundtrack, videogamecomposer, videogameindustry, videogamemusic, videogames, Yoko Shimomura, Yuka Kitamura
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Wwise Interactive Music Symposium Music Design Panel
Well, I must say I am lost for words and very excited to say that I will be taking part in the Wwise Symposium 2021 Music Design Panel. This is an incredible honour!
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Tagged adaptive music, adaptive music composer, audio-middleware, Audiokinetic, Audiokinetic Interactive Music Symposium, Austin Wintory, chase bethea, chase bethea composer, chase bethea indie game composer, chase bethea video game composer, Elvira Björkman, game audio, game audio composer, game audio professional, game development, game music, gaming industry, gaming news, Guy Whitmore, indie game dev, indie game developement, indie games, interactive music, interactive music composer, Interactive Music Symposium, Lydia Andrew and Olivier Derivière, music composer, Music Design, Music Design Panel, vgm, video game composer, video game industry, video game music, video game soundtrack, wwise, Wwise Audio Middleware, Wwise Symposium, Wwise Symposium 2021, Wwise Symposium Music Design Panel
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NYX Game Award Interview Published by MusedotWorld
I have been acknowledged and held in high regard and it feels mighty good! I was recently featured in an interview from Muse.World. In the interview we discuss the NYX Award I won, the process it took to get here and my inspiration behind the music.
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Tagged 2021 nyx game awards, adaptive music, adaptive music composer, chase bethea, chase bethea composer, chase bethea indie game composer, chase bethea video game composer, game audio, game audio composer, game audio professional, game development, game music, gaming industry, gaming news, indie game dev, indie game developement, indie games, interactive music, interactive music composer, interview, musedotworld, music composer, nyx game awards, vgm, video game composer, video game industry, video game music, video game soundtrack
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Aground Deluxe OST receives 2021 NYX Game Award!
Today the industry gave me my flowers! I am elated to present Aground Deluxe OST has won an award in the ORIGINAL SOUNDTRACK category!
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Tagged 2021 nyx awards, 2021 nyx game awards, adaptive music, adaptive music composer, Aground game, aground game music, aground game soundtrack, chase bethea, chase bethea composer, chase bethea indie game composer, chase bethea video game composer, fancy fish games, game audio, game audio composer, game audio professional, game awards, game development, game music, gaming industry, gaming news, indie game dev, indie game developement, indie games, interactive music, interactive music composer, music composer, nyx awards, nyx game awards, vgm, video game composer, video game industry, video game music, video game soundtrack
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RECLAIM EARTH SOUNDTRACK AVAILABLE NOW!
Born of the LowRez game jam and developed by three-person team Ansity Games, Reclaim Earth sees players attempt to avenge a devastatingly successful alien invasion.
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Tagged adaptive music, adaptive music composer, chase bethea, chase bethea composer, chase bethea indie game composer, chase bethea video game composer, Duke Nukem, Duke Nukem 3, game audio, game audio composer, game audio professional, game development, game music, gaming industry, gaming news, indie game dev, indie game developement, indie games, interactive music, interactive music composer, Laura Onderwater, Laura Onderwater (Concept Artist), music composer, Quake, reclaim earth, reclaim earth ost, reclaim earth soundtrack, Turok, vgm, video game composer, video game industry, video game music, video game soundtrack
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Guest Speaker Announcement! Berklee Career Jam 2021 with Panelist Chase Bethea
I was asked by Berklee College of Music to be one of the panelist for their illustrious Career Jam. I will be on the panel titled, “Adventures in Music for Video Games“.
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Tagged Adam Burgess (Blizzard Entertainment, adaptive music, adaptive music composer, Adventures if Music in Video Games, Arena Net, Associate Producer, Audio Director, Berklee, Berklee College of Music, chase bethea, chase bethea composer, chase bethea indie game composer, chase bethea video game composer, Film Scoring; Composer and Sound Designer), game audio, game audio composer, game audio professional, game development, game music, gaming industry, gaming news, Gina Zdanowicz (Berklee College of Music, indie game dev, indie game developement, indie games, interactive music, interactive music composer, Matteo Stronati (Riot Games, music composer, SungHa Hong, vgm, video game composer, video game industry, video game music, video game soundtrack, Yoko Shimomura
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Speaker Announcement! A Structured Process for Planning Game Audio in Production
I am pleased to be confirmed to guest speak at Indie Game Business. I’ve known about them for two years and I attended one conference of theirs. I appreciate the content they put out and it’s been a milestone goal to be either on the podcast or guest speak at one of the events. Read More
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Tagged adaptive music, adaptive music composer, Akash Thakkar, Alanna Linayre, Alanna Linayre (Founder/ Creative Director), Anya Combs, Anya Combs (Director of Games at Kickstarter), chase bethea, chase bethea composer, chase bethea indie game composer, chase bethea video game composer, Chel Wong, Chel Wong (Freelance Composer), Director, game audio, game audio composer, game audio professional, game development, game music, gaming industry, gaming news, Glen Henry, Glen Henry (Founder / Project Director of Spritewrench Studios), igda, Indie Game Business, Indie Game Business Water Edition 2021 Conference, indie game dev, indie game developement, indie games, Innersloth, interactive music, interactive music composer, Jonathan Jennings, Jonathan Jennings (Weird Kid Studios), Kickstarter, Laura Onderwater, Laura Onderwater (Concept Artist), music composer, Nika Nour, Nika Nour (Executive Director at IGDA), Spritewrench Studios, Strange Scaffold, Toadhouse Games, vgm, Victoria Tran, Victoria Tran (Community Director at Innersloth) and Akash Thakkar (Sound Designer), video game composer, video game industry, video game music, video game soundtrack, Weird Kid Studios, Xalavier Nelson Jr., Xalavier Nelson Jr. (Narrative Writer/Designer at Strange Scaffold)
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