Great news! My talk “Composing Music for In- Game Islands, Subterranean Areas and Beyond” has been accepted this year by GameSound Con. Since we all know the climate of this year, the conference will be online. I believe a lot of people will benefit from this talk as it will showcase how to write four to six minutes of music without it being monotonous in loop form.
Tag Archives: AAA video game composer
Talk Accepted at Game Sound Con 2020!
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Tagged AAA composer, AAA video game composer, AAA Video Games, brian schimdt, business of game audio, chase bethea, chase bethea composer, chase bethea indie game composer, chase bethea video game composer, game audio, game audio composer, game audio professional, game development, game music, game sound con, game sound con conference, gaming industry, gaming news, indie game dev, indie game developement, indie games, vgm, video game industry, video game music, video game soundtrack
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Second Soundiron Demo Published
I am so excited to share my second Soundiron Demo with you. This piece was written with the intent of what I have not heard before but I am sure has been done. However, probably not written by a video game composer.
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Tagged AAA composer, AAA video game composer, chase bethea, chase bethea composer, chase bethea video game composer, composer, game audio, game audio professional, game developers conference, game development, game industry, gaming news, gdc, independent game composer, independent video game composer, indie game composer, opening at 10, soundiron, soundiron demo, soundiron sample library, vgm, video game composer, video game industry, video game music, video games
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NIX HYDRA Games Newest Composer!
It is with great excitement to announce that have been hired by NIX HYDRA to compose their new game “Potions Please”.
Potions Please is 2D Potion management game with cute animal characters that rely on you (the player) to make goody concoctions for them.
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Tagged AAA video game composer, adaptive music, adaptive music composer, audio middle-ware, chase bethea, chase bethea composer, chase bethea video game composer, composer, ELIAS, ELIAS middle-ware, game audio, game audio professional, game dev, game developer, game music, gaming industry, gaming news, implementation, indie game composer, indie game dev, indie games, interactive music, NIX HYDRA, NIX HYDRA GAMES, potions please, sound design, sound designer, technical sound design, technical sound designer, vgm, VGM music, video game composition, video game scores, video game sound designer
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Music for the Players: Chase Bethea’s Story by Katy Morgan
Back in July 2019, I reached out on Twitter to some journalists that might have been interested in covering a new angle of my career. A fresh voice of someone who is not involved with the game industry. Meet Katy Morgan. She did me the solid honor of a thorough interview and I may dare say my best yet. This piece took seven month to complete.
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Tagged AAA composer, AAA video game composer, chase bethea, chase bethea composer, chase bethea video game composer, game audio, game audio professional, game dev, game development, game industry, game music, gaming, gaming news, independent game composer, independent video game composer, indie game composer, indiedev, Katy Morgan, Twitter, vgm, video game composer, video game composer career, video game industry, video game music, video games
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New Article Published on GameMusic.net plus More!
I had the pleasure to write for Game Music.net about Beyond Oasis. A game/soundtrack I loved as a child. The article was published Feb 6th, 2020. I had no idea it would receive a decent amount of praise.
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Tagged AAA composer, AAA video game composer, ancient video game developer, beyond oasis, beyond oasis ost, beyond oasis soundtrack, chase bethea, chase bethea composer, chase bethea video game composer, composer, game audio, game music, gamemusic.net, independent game composer, independent video game composer, japanese composer, japanese game, japanese video game composer, koshiro yuzo, Mega Drive, nintendo, playstation, PlayStation 3, PlayStation Store, Ps3, sega, SEGA Classics, SEGA Genesis, SEGA Genesis Classics, SEGA Mega Drive, Sony PlayStation, video game composer, video game music, video game news, video games, yuzo koshiro
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Latest Interview with Emily Reese : Level 117
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Tagged AAA composer, AAA video game composer, aground, aground game soundtrack, aground original soundtrack, aground ost, aground soundtrack, aground video game soundtrack, chase bethea, chase bethea aground, chase bethea composer, chase bethea music, chase bethea scores, chase bethea video game composer, composer, emily reese, fancy fish games, game audio, game audio interview, game audio podcast, game development, game music, gaming industry, gaming news, indie game dev, indiedev, level 117, level with emily, musician, vgm, video game composer, video game industry, video game music, video game music history, video games
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Fall Experiment 2019 – “The Future of Music in Gaming and E-Sports”
It is a great privilege to have been asked to come and speak on a panel at the Fall Experiment 2019! The Gaming, Music, Art and Tech Expo takes place at The Wisconsin Center on October 5th and 6th. The panel is titled ” The Future of Music in Gaming and E-Sports”
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Tagged 88Nine Radio, AAA composer, AAA Games, AAA video game composer, AAA Video Games, Arabian Prince, Bottle Spark, chase bethea, chase bethea composer, composer, eSports, Fall Experiment 2019, Fall X, Fall X 2019, game audio, game audio professional, game industry, gaming, gaming industry, Hip Hop Gamer, independent video game composer, indie game composer, indie games, Josh Remsberg Capital Music Group, JT Bottle Spark, mass effect, MK11, Mortal Kombat 11, Music, Reelcrafter, Sam Hulick, Sam Hulick composer, Tarik Moody, Tarik Moody 88Nine Radio, The Future of Music in Gaming and Esports, Tomb Raider Temple of Osiris, twitch, twitch.tv, VGM music, video game composer, video game industry, video game music, video games, vinyl records, Wilbert Roget II, Wilbert Roget II composer, Wisconsin Center, WWII game
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Exclusive Interview Published by Transverse Audio
I had the great pleasure of being interviewed by Transverse Audio. The interview is short and sweet; five questions with some solid in-depth answers. I give my contrast of what it feels like between beginning, part-time, and full-time composing (Stress, workload, overall, work-life balance, etc.)
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Tagged AAA composer, AAA video game composer, chase bethea, chase bethea composer, chase bethea video game composer, composer, composer for video games, E3 2019, Electronic Gaming Expo, game audio, game audio life, game audio professional, game industry, game music, gaming, independent game composer, independernt video game composer, indie game composer, professional composer, transverse audio, vgm, video game industry, video game music, video games, VRC
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Composer Code Guest Interview!
Podcast Matt Kenyon (Composer) and Host of the Composer Code invited me on to his podcast. Composer Code has been a podcast for a few years now. Interviewing new video game composers to AAA composers such as Gary Schyman, Gordy Haab and Grant Kirkhope.
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Tagged AAA composer, AAA video game composer, chase bethea composer, chase bethea video game composer, chasebethea, composer code, composition techniques, game audio, game development, game music, gaming news, gary schyman, gordy haab, grant kirkhope, independent video game composer, indie game composer, indiedev, video game composer, video game composition, video game industry, video game music, video game podcast, video games
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